27 Nov 2020

Inside the illegal trade in West Africa’s cultural heritage

Illegal trade in Malian archaeological objects drains the country of its collective history.

It was late summer 2019 when Bourama* answered his phone. He was near Mopti, in central Mali, he told us, and was in the midst of illegally excavating one of Mali’s thousands of archaeological sites.

The site that he and his team of three workmen were excavating had so far mostly yielded ancient stone beads, which he estimated to date back to the palaeolithic era. These are often found at sites in this region, particularly ancient burial sites. Reminiscing about a previous excavation, he described how ‘we opened the tombs and found cadavers wearing the beads. They had them on their necks, their waists, and their wrists.’

He has excavated everything from bronze jewellery to funerary urns and statues. Other looters he knows have excavated the famed Djenné terracottas. These are unique to Mali and one of the most ancient forms of figurative art in Africa.

Unexcavated archaeological objects in Mali are legally the property of the state. Removing them from their original context, or exporting them, is unlawful. These are standard legal frameworks in archaeological source countries.

Mali is a standout case study of how the illegal trade in cultural property is draining the continent of its collective history

These laws aim to preserve archaeological objects in their original context. Without such context, it is far more difficult to understand these objects’ meaning and importance in ancient cultures. As Bourama describes, the looters’ methods are hardly the painstaking research of a professional archaeologist. ‘I have more freedom, because the people I employ just come with pickaxes and shovels and dig, so I have lots of freedom.’

While Bourama claims he excavates only for his own personal collection, there are many other dealers in Mopti and around other key archaeologically rich areas, such as Gao, Djenné and Timbuktu, who exploit this trade for profit. Regional middlemen for antiquities dealers based in the capital have pillaged the sites in these regions for decades. They command and finance large, organised teams of looters to excavate sites.

Looting has surged since the outbreak of conflict in Mali. Rising economic hardship and the breakdown of state structures have meant new groups of looters have flooded into the market. Regional middlemen who have dealt in antiquities have found their services to be in high demand.

Almost no sites have escaped unscathed. Representatives from cultural institutions and archaeologists estimate that between 80% and 90% of sites in key regions have been looted. Recent looting activity has exacerbated the damage caused by decades of illicit excavations.

Looting has surged since the outbreak of conflict in Mali

The black market in Malian antiquities has historically been centred in Bamako. From the late 90s to 2012-2013 dealers based in the capital marketed objects collected by looting networks on their behalf to wealthy European collectors. A new ENACT study found that the recent years of conflict have radically reshaped Bamako’s antiquities market. A small number of powerful, well-connected antiquities dealers reportedly continue to supply objects to clients overseas.

Research focused on North Africa has found that online groups are now playing a vital role in antiquities trafficking. Social media platforms, particularly Facebook, play host to these groups. Looters on the ground, at remote sites and in conflict zones, connect online with potential buyers around the world. Social media platform monitoring of criminal and harmful activity by their users is poor. Antiquities crime is low on the list of priorities for enforcement of any platform guidelines.

Mali’s cultural institutions – the Directorate Nationale du Patrimoine Culturel, the National Museum and the Ministry of Culture – undertake missions to protect archaeological sites even in the active conflict zones. Despite their efforts, objects continue to be smuggled out over Mali’s land borders and by air from the capital.

Dealers in Bamako told our research team that Malian objects, in particular the highly prized Djenné terracottas, continue to disappear primarily to European markets. The legacy of colonial-era collections of looted African art continues to shape the international art market.

Antiquities crime is low on the list of priorities for enforcement of any platform guidelines

The terracottas feature on the Red List of cultural objects at risk published by the International Council of Museums. The Red List provides an international alert of types of cultural heritage that are at risk and likely to have been looted.

Archaeologists and provenance researchers argue that looted objects continue to circulate on antiquities markets with impunity. In their view, collectors and antiquities dealers don’t do enough to ensure due diligence on the objects from which they make a living.

Western-based professional associations of art dealers, in return, strike back at what they argue is ever-increasing regulations throttling their market. Meanwhile, the informal trade in antiquities conducted online continues apace. Much of the online antiquities market is, reportedly, either looted or fake.

Illegal trade in African cultural heritage continues to cause untold damage to sites and monuments. Mali is a standout case study of how this trade is draining the continent of its collective history.

Julia Stanyard, Analyst, Global Initiative Against Transnational Organized Crime

EU Flag
ENACT is funded by the European Union
ISS Donors
ENACT is implemented by the Institute for Security Studies in partnership with
INTERPOL and the Global Initiative against Transnational Organized Crime.